The makeup typically consists of black eye liner, fake eyelashes, sometimes white eye shadow or a touch of that color is applied to either the inner eye corners or to the outer corners near the lower lash line of the eyes. As for the appearance of a gyaru, dramatic makeup is considered to be essential as well in this fashion subculture or depending on which substyle one partakes in.
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They are also known for partying or clubbing, being rather provocative, being flirtatious and unwinding and having fun.īy the 2010s gyaru fashion was typically characterized by tanned skin as it is considered a must in some substyles, they were also most often seen with highly elongated and decorated artificial nails. Its popularity peaked in the 1990s and early 2000s. For Japanese women who saw those who participated in this fashion during its rise, they considered it a fashion style too racy and freewheeling with some feeling it caused a ruckus, juvenile delinquency and frivolousness among teenage women. It is a fashion subculture that is considered to be nonconformist or rebelling against the Japanese standards of its society and beauty at the time when women were expected to be housewives and fit the Asian beauty standards of pale skin and dark hair. Some groups and people follow a type of Japanese street fashion with many subcategories and substyles of which many types originated in the late 1970s. Gyaru is a description of any gender, but is considered for women when referring to gyaru. Second hand and vending of gyaru apparel and accessories also increased their availability. Although 109 began as the primary source of gyaru style clothing, the style's growth in popularity saw brands branching out, having different brands of clothing being available at pop up stores, in conventions or through web shops that offered international shipping. In the early 2000s, Shibuya 109 was considered the source of the newest and trendiest items or brands for gyaru, from popular and largely recognized gyaru brands to more independent local designers within that department store. The department store Shibuya 109, across the intersection from the Shibuya station in Tokyo, was a popular location for purchasing gyaru style clothing and was where this fashion subculture was most often seen. Yet, it can be stated that this very same sentiment is argued against by other Japanese citizens. Even though Japanese citizens having seen the style of gyaru from birth, impact and decline they have stated to have never had the intention on imitating the American style of daily apparel or wanting to resemble it. Due to its past and its present connotation, it is now used almost interchangeably with kogyaru as the name of kogyaru and its history is intertwined with the gyaru fashion subculture. The meaning of the term gyaru gradually drifted to apply to a slightly older demographic whose apparent lack of interest in work or marriage resulted in these women being regarded as childish or a hussy. This decline has been attributed to shifts in magazine industry, the exaggeration of the style in terms of its style use and progression, western media, and government policies.
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The terms usage peaked in the early 2000s and has gradually declined since.
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It had a large influence on Japanese fashion and its economy, with multiple gyaru brands branching out before eventually declining due to financial instability and changes in its target demographic. Gyaru subculture was at its peak during the Heisei era. When the womens jeans line 'GALS' was released in 1972 the term had been quickly used outside of its original branding and was adopted to describe the gyaru fashion in the late 1970s. The term for gyaru was introduced in Japan by the American jeans company Lee, who introduced a new line of jeans to their brand Wrangler. Gyaru ( Japanese: ギャル Japanese pronunciation: ), a Japanese transliteration of the English slang word gal, is a Japanese fashion subculture. Shibuya 109 gyaru store staff from the brand MA*RS